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Reflect yourself in art-Daily Encourager

Kai and important artwork shared in the Otago Peninsula crib is an interesting aspect of a partnership involving New Zealand’s oldest public art gallery.

Participants appear humble and enthusiastic to listen rather than scream and focus on the art and the story behind it rather than on their own.

Ngāi Tahu, or Kāi Tahu, is the leading Maori tribal group on the South Island, and Paemanu is this iwi’s group of contemporary visual artists.

Paemanu explains how artists met with Dunedin Public Art Gallery staff in 2019 to tour the building, from the clay basement floor to the former DIC department store Pixie Cave and the exhibition above.

“At the gallery, I greeted and wondered about collection materials such as Machiavelli, Venice, Monet and Turner. How can you relax here with you?

I felt the absence of the locals, the art form of Te Waipou Nam, Aotearoa and Moana Pacifica. “

The group of artists also visited the Otago Museum and the Hocken Collection to re-explore the treasures on display in the environmentally managed archives.

“Our rōpū was overwhelmed by the outdoors, longed for, and bolted to a crib on the Otaguchi Peninsula with barbecue equipment.”

They knew they would walk along the Papanui cove and later host a supper for people from the local Otakoupa.

“We sprayed water at Otaguchi Port and twisted our toes into the sand to look for tea cockles.”

While soothing emotions while eating Kai, Paemanu says the challenge remains to find the right relationship with a colonial arts institution that may contain a variety of ancestors.

Elders in Pennsylvania helped share photos taken by one of the founders of the gallery, William Hodgkins, with prints of paintings by his daughter, the famous artist Francis Hodgkins. rice field.

Attendees understood that these works were valued because they were portraits of Tupuna, or ancestors. The story has flowed.

Another perception has begun about where these indigenous people, or Mana Wenua, stand in the gallery collection.

“When Mana Honua founded the collection, they faced photographers and painters.”

Star unveiling ceremony

The result of a three- to four-year conversation between Paemanu and the Dunedin Public Art Gallery (DPAG), Hurahia anakā Whetū: Star Announcement An exhibition to be held at the gallery until October 2022.

In this powerful show, Paemanu and the curator give their views on the history of the collection. Other contributors have written answers to paintings, sculptures and photographs.

Aisha Green [Kāi Tahu, Ngāti Kahungunu]I thought I heard you crying in the forest in 2020 (details). Acrylic paint on canvas.Dunedin Public Art Gallery Collection

Gallery curator Lucy Hammons discovers that Paemanu finds or has no story in the collection as staff and groups get to know the story behind each other and the artwork. I say I did.

Together, they thought about how to tell these stories, and the exhibition appeared.

Lucy says the show is unique because of the much stronger and direct intent to enhance Maori art history in the context of the collection.

“If you allow the exhibition in multiple voices, it’s powerful because you can see for yourself the space and how to fill it.”

Paemanu wanted to see the people reflected in the historic gallery. Lucy says that if the gallery could see itself, it would be more welcome to everyone.

For me, it reinforces the attention we need to take when we look at our collection and check what we see and what we don’t. “

Public feedback is positive and she believes DPAG regulars are aware that something different is happening.

“I think our facility needs to reflect the meaning of living here. Our role is to be a community space.”

The Hurahia anakā Whetū 2021 exhibition at the Dunedin Public Art Gallery celebrates a variety of art forms.

Looking back on history

Gallery curator intern Piupiu Maya Turei says that historical collections are rarely revisited in this way.

She has a facapapa, or genealogy, linked to Ngāti Kahungunuki Wairarapa, Rangitāne, Ātihaunui-a-Pāpārangiiwi and arrived at the end of this project.

She is thrilled to describe her as a close partnership between Paemanu and the Gallery. She believes this will continue.

Asked what she learned, Piupiu says she lives biculturally.

“It’s great for me to see two institutions, Paemanu and DPAG, working together to fit both and create a space for people to connect.”

The art collected over the years will be celebrated at Hurahia anakā Whetū 2021, Installation View, Dunedin Public Art Gallery

As an artist and new curator, she believes that such conversations do not have to be cross-cultural only and can include many perspectives.

“I like listening to the opinions of others.”

Footnote: The story of Paemanu is from the exhibition Intertwined story Panel, with their permission. Crib is the southern word for Bach, Tewaipounamu is the South Island, and Moana Pacifica is the Pacific Ocean.

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